The story of “Eddie” (Charles King) centers on his invitation for his girlfriend, “Hank” (Bessie Love), and her sister, “Queenie” (Anita Page), to attend a Broadway production led by the famous producer “Zanfeld” (Eddie Kane). The narrative remains straightforward as Eddie quickly shifts his interest to Hank’s sister, though she attempts to rekindle the affections of socialite “Jock” (Kenneth Thomson). These romantic overtures appear superficial, and it becomes clear where the true romance resides. Director Harry Beaumont skillfully utilizes the theatrical environment, integrating well-crafted musical numbers—characteristic of vaudeville—into this complicated web of relationships. Being an early talkie is immediately apparent; the cast seems uneasy delivering their dialogue, but they are far more at ease when performing onstage or portraying sudden shifts from heartbreak to infatuation – often quite dramatically, even behind the scenes. Love clearly dominates the film's appeal, though that may also be its weakness. It’s essentially a movie about a show, and perhaps it would have been better simply to present the performance without the romantic entanglements, which occasionally feel overly sentimental. Nevertheless, it is an energetic production, conveying a sense of the chaotic and hurried nature of life backstage—and that's before you factor in any love triangles! It hasn’t aged particularly well, but I find myself wondering how many films created today will still be enjoyable a hundred years from now?

Source on TMDB