The past is irrevocably gone—that former self, that previous life. This individual, this unfamiliar figure, embodies who you are now. After enduring a brutal subway assault that resulted in the death of her fiancé, Erica Bain (Jodie Foster) finds herself unable to accept the police’s handling of the case and overwhelmed by sorrow. She resolves to personally eliminate criminals from the city streets. It's undeniable: this film functions as a feminist reimagining of *Death Wish*. Director Neil Jordan places the consistently excellent Foster squarely within the ethical complexities of vigilante justice. While fundamentally an intelligent and thought-provoking thriller about someone taking the law into their own hands, it’s occasionally frustrating due to some outlandish plot developments—particularly the finale, which feels absurd. Erica acquires a gun, finding solace in its presence, and as she grapples with her conscience regarding her actions, she remarkably begins clearing the streets of lowlifes. The film also requires you to believe that she develops a close relationship with the lead detective investigating these vigilante acts, portrayed by Terence Howard (who delivers an outstanding performance). Regrettably, Jordan appears to lack the courage to fully realize a truly meaningful story. Instead, he puts Erica in progressively silly scenarios, complete with equally absurd dialogue; for a movie featuring a female protagonist dispensing justice, it ultimately feels lacking in strength. The main performers ensure it isn’t a terrible film, and there's certainly satisfaction when criminals receive their due punishment. Ultimately, it is just an above-average vigilante movie. 6/10

Source on TMDB