I didn’t find fault with it, but I felt it lacked originality. The storyline was familiar; I had previously watched the British animated version, and this adaptation stuck closely to that narrative—which itself originated from a book. Aside from competent computer-generated imagery, there wasn't much new presented. The young actress portraying Sophie gave a commendable performance. She carried the film as the sole live actor until the very end when others appeared alongside her. Her acting was excellent, and Mark Rylance’s CGI character also stood out. The story gets underway immediately. A ten-year-old orphan named Sophie is taken by a giant after she observed him roaming the streets from her bedroom window one night. Concerned that she might reveal his existence, he had to bring her along with him to his homeland. They develop a close bond, but then a new danger emerges when other giants become suspicious of a human being present within their territory. The remainder of the story involves confronting these giants and finding a lasting resolution to the problem they create. It reminded me of Peter Jackson’s ‘The Lovely Bones’ in relation to Steven Spielberg's filmography—those projects that didn’t quite succeed for them. I expected something more substantial from someone with Spielberg’s track record, as his movies are generally enjoyable. They appeal to audiences of all ages, young and old. However, those who have seen the earlier version might find themselves less engaged. It certainly won't be the same experience for children, who will likely enjoy it. There is nothing wrong with seeing it once, so I would recommend giving it a try. _6/10_
On September 24, 2026
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