Employing documentary techniques alongside theatrical recreations, this film presents an honest account of the life of playwright Andrea Dunbar—perhaps best known for “Rita, Sue and Bob Too.” The story unfolds on a street within the 1950s Buttershaw housing estate in Bradford, Yorkshire, largely through the perspectives of those depicting her children. We’re given insight into the lives marked by alcohol and substance abuse that were common among this working-class community. Lorraine (Manjinder Virk) and Lisa (Christine Bottomley) effectively guide us through a narrative blending recreated events with cleverly presented lip-synced excerpts from conversations their mother had with them, with each other, and with neighbors during their childhood—and they maintain believability throughout. Anyone who lived in northern British urban areas during the 1970s will likely find elements to connect with here. A strong sense of community is evident, but so is the racism that existed within a society largely opposed to interracial relationships—a situation that directly affects Lorraine and seems to contribute to a life mirroring experiences described by her mother. Actual footage of Dunbar herself appears as well, revealing not only her sharp observational abilities but also a considerable wit; her descriptions are both captivating, genuine, and darkly humorous. The entire cast significantly enhances this docu-drama, with some portraying actual individuals and others playing actors portraying real people—and the staging of scenes on their grassy area, using minimal props and with neighbors present, has an unsettlingly straightforward quality. It’s not a particularly uplifting film; it frequently presents a bleakness that can make it difficult to feel empathy for characters who appear comfortable in their own self-made disappointment, but it does provide plenty to consider.

Source on TMDB