The film doesn’t quite manage to be more than what it contains – and there are certainly a lot of elements packed into this rather disappointing stage-centered comedy. We meet "Tony," a weary actor portrayed by Sir Michael Caine, who performs nightly in a production of “Richard III,” specifically a version set during the Nazi era, for audiences that seem to be either completing assignments or simply seeking shelter from the cold. During one performance, Tony and an ensemble member named "Tom" (Dylan Moran) devise a scheme to swindle a local gangster, "Barreller" (Sir Michael Gambon), out of some money, then manipulate him and his criminal associates long enough for them to make off with the stolen funds. The premise itself holds promise, but unfortunately, only Sir Michael seems truly engaged in the material – even he appears to be winking at the audience. Much of what follows feels like a flimsy and artificial comedy that attempts to satirize various aspects of Irish culture, but it rarely elicits genuine laughter. There’s an excessive amount of talking, and Moran, previously known for his stand-up routines, seems uneasy and overwhelmed by the more experienced performers; the cast also includes Miranda Richardson, along with several brief appearances from other British comedy personalities. It's easy enough to sit through for ninety minutes, and it isn’t offensive in any way, but it’s not something that will stick with you afterward.

Source on TMDB