My initial experience with Edward Yang’s work finds me acknowledging that I didn’t grasp every element within this intricate drama, yet it remains a strangely captivating film. Strangely? Because while the characters feel authentic and believable, the narrative unfolds in an unexpected way, sometimes lacking clear sense. The movie begins with a scene that likely would have upset those responsible for promoting tourism: a shootout between drug dealers and law enforcement leaving a body on the street, and even attempting to remove it presents danger. This feeling of risk permeates the story as we are introduced to a couple struggling in their marriage. He, "Li" (played by Li-Chun Lee), is a writer experiencing severe creative stagnation; she, "Zhou" (Cora Miao), is pursuing a career in medicine and finds herself unable to accept his lack of progress alongside her own ambitions, both professionally and personally. Their relationship provides a wide-ranging look at life in Taiwan’s cities, encompassing many facets of human behavior, including the memorable performance by brothel owner "Shu An" (Wang An), who exploits her customers while they are engaged with others, and who herself becomes the focus of affection for a photographer who also attracts police attention. What's notable about this film is that you initially believe it’s a crime story depicting locals under oppression, but it evolves into an exploration of "terror" in its various forms—and the most impactful examples aren’t always where you anticipate them to be. I suspect multiple viewings would be needed to fully appreciate it, as there's much to consider as these characters gradually become distinct individuals, regardless of whether you connect with them or not.

Source on TMDB