Ted 2 manages to fill its predictable structure with an abundance of humorless material. I'm certain MacFarlane is a skilled comedian; his excessively vulgar style has entertained countless viewers through the popular ‘Family Guy’ television series. Even the original ‘Ted’ was acceptable, and that’s quite something. However, we now have this unavoidable sequel, which largely felt like an extended version of that animated program. It relies on cutaways for jokes that don't connect, a constant stream of unnecessary celebrity appearances, and Ted essentially turning into Peter Griffin. If you shut out the visuals and just listen to the sounds, you’ll quickly realize it's simply ‘Family Guy’, only less amusing. The plot involves Ted, now married, struggling with his relationship and having his rights revoked when he is no longer considered a person but property. A notable element of this comedy, which essentially drives its narrative forward, touches on civil rights issues concerning ethics and morality. It was so *interesting* that Morgan Freeman himself participated, delivering a powerful verdict to the jury in his characteristic calming tone. Despite Amanda Seyfried’s efforts to salvage what she could from the script and create something watchable, it's ultimately unremarkable. So much so, that when Wahlberg finds himself submerged in discarded semen (literally swimming among sperm...), I experienced a sense of having seen this before—ironically, Ted did too. It was surprising how long it took me to realize I’d already witnessed the first portion of the film; that's just how forgettable it is. It reuses all of the same plot elements as the earlier movie, with characters like the unstable Donny and the amicable split between the main characters reinforcing this impression, and very little new ground is covered. The actors still have good rapport, but only a handful of lines elicited even a slight chuckle from me, largely thanks to Warburton’s performance (that voice...). Beyond that, there's nothing else here: the usual MacFarlane profanity. It might be worth checking out if you enjoyed the first film, but it quickly exhausts its limited dialogue options. “I love you”? No thank you.

Source on TMDB