TAU begins with promise, though it soon settles into well-worn science fiction patterns. The story feels assembled from recognizable elements, lacking significant originality. While the direction is serviceable and maintains a consistent rhythm, the screenplay holds it back through stilted conversations and illogical situations. The artificial intelligence concept had potential to be captivating, but its execution diminishes believability, particularly given how erratic its capabilities appear. The exchanges between the AI and main character come across as an obligation to lengthen the film rather than genuinely absorbing moments. However, the visuals are a strong point; the cinematography features striking lighting and a fashionable color scheme that lends the movie a refined appearance. The production design is intricate and contributes to the futuristic atmosphere, making the setting visually appealing even when the narrative struggles. The performances are adequate, although the script doesn’t allow for any particularly memorable portrayals. The musical score includes some pleasant moments, notably its use of classical pieces, but it does little to enhance the overall impact. Ultimately, TAU possessed the components needed for a good science fiction thriller, yet failed to capitalize on them, resulting in an undemanding viewing experience that’s likely to be quickly forgotten.

Source on TMDB