The second of the MGM Tarzan films deserves recognition as one of the finest adventure films ever made. Following *Tarzan the Ape Man* (1932), it features Johnny Weissmuller and Maureen O’Sullivan reprising their roles as Tarzan and Jane, showcasing impressive pre-Code filmmaking techniques before computers were involved. The storyline isn't particularly strong, but that doesn't detract from its entertainment value. Essentially, greedy ivory hunter Martin Arlington (Paul Cavanagh) and Harry Holt (Neil Hamilton, formerly Jane’s suitor who has lost her to Tarzan) venture into the jungle searching for Mutia Escarpment – a place where elephants are buried. Tarzan and Jane appear roughly twenty minutes in, setting off a series of events that cause discomfort for the men in khaki fatigue and force Tarzan to defend his relationship—with Jane, the animals, and his own life! What unfolds over 105 minutes is a story full of underlying sensuality, primal instincts, fierce battles, and some memorable animal performances. Cedric Gibbons initially directed the film, but MGM replaced him with Jack Conway, who went uncredited; Conway was just the person to push boundaries for those waiting at the gates of censorship. It's hard to ignore the suggestive elements, and it’s puzzling why anyone would want to! O’Sullivan’s clothing is minimal, and Weissmuller is in such great shape that he makes me regret my indulgence in alcohol and unhealthy food. There's a provocative scene when Tarzan and Jane swim together, as he dries her hair (she sleeps naked, by the way), and when the men from civilization convince Jane to wear a "city" dress again. This serves to highlight how the former city girl has shed her inhibitions and embraced a natural lifestyle in the treetops. And I didn't mention the suggestive silhouette scene? Well, now you know. Beyond its eroticism, it’s also an excellent action film. The limited technology of the early 1930s is used to its full potential; it doesn’t matter that dummies are thrown around or that people in monkey suits stand in for Cheetah while she takes a break. Even though the rear projection looks basic by today's standards, this represents filmmaking artistry that captivated audiences back in 1934. It deserves respect and admiration now. Prepare to see warriors who specialize in shooting arrows into their enemies’ heads. Expect gorillas using boulders as weapons. Watch Tarzan battle a lion, a crocodile, and a rhinoceros. Witness what I'll call "Pachyderm Pandemonium," a pride of lions threatening Jane, clever chimpanzees outsmarting humans, and impressive feats of gymnastics. The Hays Code would soon restrict the Tarzan series, but experiencing these early MGM Tarzan films is like visiting a film museum for those with open minds. It’s wonderful. 10/10

Source on TMDB