It's the sort of understated film that centers its narrative around conversations and expressions, a style that might frustrate some viewers who find themselves wanting something more dynamic. I noticed discussions online regarding the casting choices—two actors identifying as heterosexual were selected to portray the central gay characters, prompting questions about why openly gay performers weren’t considered. While I wasn't personally bothered by this decision, it’s true that many straight actors have taken on gay roles throughout history, a practice largely dictated by an era when actors feared repercussions for publicly acknowledging their sexual orientation. It seems like progress that performers now feel comfortable accepting these parts without worrying about negative publicity. Regardless, the movie is well-made, featuring sharp writing and strong performances from everyone involved. It diverges from the usual road trip formula because the journey is primarily internal, so we don’t get many expansive landscapes. I did notice a few moments where scene changes felt abrupt, but it didn't significantly detract from the story. For example, the circumstances surrounding their stay at one house were unclear, though that detail ultimately wasn't essential to understanding what happened. I wouldn't actively seek out Supernova for a rewatch—there’s just so much content available—but I also wouldn’t switch it off if it appeared while browsing through options.

Source on TMDB