There's been a lot of discussion recently about whether the movie industry is making too many superhero and action-adventure movies, and if some franchises have simply run their course. This sentiment feels especially relevant when considering Superman, whose story has appeared in numerous forms on television and film since the 1970s. Having seen this latest version of the character, I agree that he needs a break. What many are calling the biggest letdown of this summer’s blockbusters is sadly accurate. Writer-director James Gunn's newest effort feels like a jumbled mess that quickly loses the audience’s attention with its excessive 2:09:00 runtime—a length that honestly feels even longer than it officially does. The core issue stems from a narrative packed too full of elements, making it difficult to follow at times due to a screenplay filled with inconsistencies, unsupported assumptions, and a surprising lack of background information; editing that desperately needs trimming; an overreliance on comedy that becomes tiresome (particularly the portrayal of Superman’s overly enthusiastic dog, Krypto); and an overall production lacking originality, especially in the action sequences which feel familiar compared to those found in better films like Marvel's. The movie’s attempts to modernize the Superman mythology are also inconsistent, with some elements feeling current while others seem stuck in the past—for example, depicting *The Daily Planet* newspaper as if little has changed, ignoring how journalism operates today. To its credit, the film tries to evolve the hero into a symbol of social awareness, which aligns with his traditional role as an advocate for “truth, justice and the American way,” even though it occasionally feels excessive. This attempt at relevance is sometimes undermined by uneven character development, a problem that affects many other characters too. Despite this, there are some good performances, including David Corenswet’s portrayal reminiscent of Christopher Reeve, along with solid supporting roles from Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Ultimately, “Superman” feels like a project developed by committee that would have benefited from more revisions before release. If this was intended to launch a new series, it falls short in every way, which doesn’t look promising for the franchise's future. Superman deserves better than what is presented here, and this film will likely be forgotten over time when compared to its stronger predecessors, those that successfully portray him as a truly exceptional hero.

Source on TMDB