The film adheres closely to a well-worn formula within thrillers—a reporter pursuing a lead and uncovering layers of complexity, ultimately revealing a conspiracy that reaches into the upper echelons of power. The extent of this reach, naturally, differs depending on the specific movie. I did observe that one death scene featured a technique later used in the American version of House of Cards. Still, there’s really only so many ways to disguise potential murders as accidents or suicides, so it might have just been an accidental similarity. The performances and writing were adequate, even if the storyline felt quite predictable. It seemed like minimal changes to the narrative would have been enough to distinguish it from other films centered on journalists exposing government wrongdoing.
On October 3, 2026
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