The film features some good production design and impressive special effects, along with a talented lead performance from Michelle Yeoh; however, these elements aren’t enough to overcome the significant problems within this new installment of the Star Trek franchise. The basic storyline of "Section 31" is familiar territory—a plot that's been explored countless times before—and that isn't necessarily a fatal flaw. Unfortunately, in this case, the narrative suffers from a lack of focus, a sense of realism, and straightforward reasoning. While science fiction allows for imaginative storytelling, the underlying concept still needs to be plausible if viewers are going to become engaged with it. I struggled to connect with the story or the characters, which felt underdeveloped; this prompted the actors to try too hard, ultimately exacerbating the issues. The inclusion of what I perceived as unnecessary social commentary didn't help me enjoy the film any more than I already wasn’t enjoying it. Beyond that, the dark and pessimistic tone of "Section 31" seemed at odds with Gene Roddenberry's original concept of "Star Trek"—a vision of a technologically advanced future founded on humanist principles, where scientific exploration triumphs over challenges. To be blunt, “Section 31” is, in my opinion, terrible. It’s not just the uninspired story and underdeveloped characters; it simply doesn’t capture the essence of what "Star Trek" should be. That's all there is to say about it.

Source on TMDB