The departure of Leo G. Carroll from his role as director of "Green Manors," a psychoanalysis institution, brings Gregory Peck ("Dr. Edwardes") into the picture. He quickly becomes the focus of both romantic and professional interest from Ingrid Bergman ("Dr. Petersen"), who soon uncovers a significant secret he holds. They must race against time to solve a puzzle involving lost memories and a murder before law enforcement reaches its own judgments about what happened. While I don't consider this my top choice among Hitchcock’s films, Peck doesn’t quite embody the necessary charisma or strength for the role, and Bergman, despite her beauty, feels somewhat rigid and unconvincing. The story itself is intricate and captivating, approaching a classic crime-noir theme with a more intellectual approach. Miklós Rósza's score, which won an Academy Award, contributes significantly to the film’s sense of threat, and the narrative unfolds at a measured pace leading to a fittingly contemplative ending. I realize Peck was David O. Selznick’s prized star at that time, but I feel he diminished the overall impact; perhaps Hitchcock would have been better served by choosing an actor with more personality for the lead. It's still excellent entertainment—definitely something you should see.

Source on TMDB