Dean Stockwell gives a strong performance as "Paul," an artistically gifted young man living with his miner father, "Walter" (Trevor Howard), and mother (Wendy Hiller). Following a disaster at the local mine, she becomes even more resolved that her son will not follow in his father’s footsteps. When "Hadlock" (Ernest Thesiger) presents him with an opportunity to move to London and find work, it seems like he might be able to leave this stifling life behind. However, his father returns home intoxicated, leading to a disagreement between the couple that keeps "Paul" where he is. It’s unclear whether he's remaining out of concern for her or because he’s simply too attached to remain independent. Jack Cardiff establishes the narrative effectively; a capable ensemble cast brings to life a story rich with interwoven ideas. The film explores the dynamics of a close family struggling with personal issues, confined by limited finances and prospects, and complicated relationships. Hiller is excellent in a restrained portrayal of a mother who unintentionally exerts control but has good intentions, and though Howard’s appearances are brief, he makes his mark on every scene. The title might be deceptive—viewers may anticipate a romance or something akin to a Jane Austen novel—but the characters feel real thanks to D.H. Lawrence's writing, eliciting empathy, anger, and disappointment from viewers. Even after six decades, this remains a powerful observation of society that many families and communities can still connect with.

Source on TMDB