Rachel Lambert’s "Sometimes I Think About Dying" occupies a strange area between being truly engaging and feeling drawn out—a movie that manages to overcome its lack of substantial plot thanks to remarkable acting and carefully considered visuals. Daisy Ridley's portrayal of Fran is an example of understated performance. Playing the role of an office worker whose inner world is much larger than what she shows outwardly, Ridley conveys a great deal through subtle expressions and her physical presence. A minor adjustment in how she stands, a nearly unnoticeable flicker in her eyes—these become significant emotional moments because of Ridley’s skill. Dave Merheje's Robert offers an ideal contrast, his outgoing nature creating a force that both draws Fran in and makes her uneasy. Lambert’s direction is notable for the way she visually represents introversion. The camera frequently shows Fran from above or at a distance, which effectively conveys both her awkwardness and how disconnected she feels from those around her. These shots aren't just pleasing to look at; they are like constructing an emotional space, creating a visual method of communicating the unseen experience of social anxiety. The Oregon coast’s atmosphere, with its consistently overcast skies and foggy scenery, becomes more than just a setting—it reflects Fran's internal state. The region’s somber beauty serves as a shorthand for a character whose thoughts often turn to darker places despite occasional moments of unexpected brightness. What stops the film from being truly exceptional is its wandering script. Some scenes go on longer than necessary, and the story occasionally slows down, especially in the latter portion. However, there's something fitting about this rhythm—introversion isn’t typically direct or quick, but rather deliberate and careful. "Sometimes I Think About Dying" doesn't attempt to make sweeping philosophical points about what it means to be human or how introverts and extroverts relate to one another. It simply examines a particular relationship with unusual visual insight and performance quality. The film’s strength isn’t in the message it delivers, but in how closely it observes.

Source on TMDB