It's admirable when science fiction movies try for something beyond the usual formula, especially when they mix genres. But pulling that off requires careful planning and execution, and this film falls short—not drastically, but noticeably enough to mark it as a promising effort that doesn’t quite succeed. The story centers on an astronaut (Casey Affleck) and his crew (Laurence Fishburne, Tomer Capone) embarking on a risky mission to Titan, Saturn's moon. They use Jupiter’s gravity to slingshot the spacecraft at high speed, but the journey is long, so the crew spends much of it in drug-induced hibernation—a risky strategy given potential side effects. This setup leads to an odyssey aboard their ship, aptly named “Odyssey,” filled with unsettling dreams and hallucinations, especially after mysterious damage puts the mission and the crew’s mental state at risk. Things get even stranger when the astronaut starts experiencing visions of his girlfriend (and one of the ship's designers), Emily Beecham, on board. Director Mikael Hafstrom attempts to unravel these events, but it proves challenging. While there are moments of intelligence and even beauty, the movie struggles with a plot and script that become overly complicated. The writing doesn’t quite manage to achieve what it sets out to do, often taking circuitous routes and including material that could have been trimmed or streamlined for clarity—a missed opportunity to use narrative shortcuts instead of lengthy explanations. Some viewers will inevitably notice parallels with “Spaceman,” which came out earlier this year; however, the tonal differences and plot elements are enough to keep them distinct. The film also occasionally pushes the boundaries of acceptable on-screen violence, coming close to being excessive without actually crossing the line. These flaws unfortunately overshadow some genuinely good aspects, like impressive special effects, thoughtful production design, strong acting, and a memorable soundtrack. It’s disappointing that these positive elements aren't consistently matched by the film's other qualities; if they had been, “Slingshot” could have reached the heights of films such as "Solaris" (2002) and "2001: A Space Odyssey" (1968), rather than becoming a largely unremarkable science fiction release.

Source on TMDB