I recall the considerable attention this film received when it was released, largely due to Peter Howitt being a well-known face—remembered as “Joey” from the popular BBC sitcom “Bread”—and directing it. He also penned both the script and the initial idea, which is actually quite promising. The story centers on "Helen" (Gwyneth Paltrow), who abandons her boyfriend "Gerry" (John Lynch) to rush for a train. Will she make it before the doors close? The film presents two possible outcomes: in one timeline, she does; in the other, she doesn't. We see her develop a connection with the appealing “James” (John Hannah) in one version, while the alternative shows her persevering in a relationship with someone who is immediately revealed to be involved with the thoroughly unpleasant "Lydia" (Jeanne Tripplehorn). Thankfully, Paltrow adopts different hairstyles to help differentiate between her characters as fate—both kind and unkind—presents two distinct paths for her life that occasionally intersect, leaving no question that “Gerry” is a self-centered person and that “James” is the sort you’d feel comfortable introducing to your mother. My main issue was that once the two narratives were established, they felt somewhat overly sentimental. It's unlikely the film could have succeeded without some complications, but the obstacles introduced to thwart budding romance and even infidelity are all rather foreseeable. Despite this, I did appreciate how the final few minutes were put together, blending the resolution with a touch of familiarity. The movie explores choices—some well-considered, others not—and also delves into trust, highlighting how easily it can be broken or exploited in relationships where it’s taken for granted but isn't warranted. Hannah provides some genuinely amusing moments and there’s just enough of that; some lively arguments and even a few suggestive scenes involving brandy to keep the viewer engaged.

Source on TMDB