Sick is a slasher film drawing inspiration from the COVID-19 pandemic, centering on Parker Mason and her friends as they attempt to evade a deranged killer. I usually dislike movies that try incorporating pandemic themes, but in this case, it manages to work reasonably well. As opposed to Glass Onion, Sick’s narrative revolves entirely around quarantine and isolation, so these aspects felt organically integrated into the story. Still, this doesn't detract from its status as a traditional slasher film. The action sequences and camera work effectively amplify the violence and raw intensity of the movie. Departing from typical slasher conventions, the killer behaves in a remarkably realistic way; he bleeds and cries when injured, and pursues victims with surprising speed. This fast-paced conflict combined with shaky, rapid camera movements creates an intensely visceral viewing experience. My one criticism is that the number of deaths felt limited—a few more characters could have been included. The acting and plot are where this film begins to falter significantly. The initial setup is acceptable, but the ending feels jarringly bizarre and cheesy. It might have succeeded if the filmmakers intended a horror-comedy tone, yet most of the first and second acts were quite serious, despite incorporating some social commentary. This inconsistency left me feeling disoriented and negatively impacted the story's coherence. While the acting was generally good, the early dialogue among the teenagers felt unnatural; I’m uncertain whether this stems from poor writing or awkward delivery. In conclusion, Sick delivers a familiar slasher experience characterized by brutal action and impressive cinematography. The narrative doesn’t maintain the same level of quality but is sufficient to move the story forward and enable the action. Score: 64% Verdict: Decent

Source on TMDB