The idea behind this film—a look at racial tensions among a small group of friends, set against a backdrop of jazz and experimental visuals—sounded promising initially. However, I felt the actual production was rather disorganized. The story revolves around three siblings: "Benny" (played by Ben Carruthers), "Hugh" (Hugh Lord), and "Leila" (Leila Goldoni), with the sister having noticeably lighter skin than her brothers. “Benny” seems to drift through life, while “Hugh,” a musician struggling with self-doubt, can’t find his way out of it despite support from his manager, "Rupert" (Rupert Cross). Then there's the sister, who becomes infatuated with "Tony" (Anthony Ray). When he encounters her brothers, an immediate feeling of tension arises—not overtly violent, but clearly hinting at racial issues, which establishes a drama that unfolds in a slow-paced yet occasionally impactful manner. “Leila” gets pulled between her family and her new relationship, and as the situation escalates and the jazz music, especially the trumpet playing, becomes more intense, it amplifies the story's increasingly chaotic and disturbing nature. Up to this point, things seemed acceptable. My main issue is with the acting; it’s not convincing or realistic. There's a certain flow to everything that disappears when "Leila" falls for her boyfriend. It never feels believable within this narrative of constant change and movement, and too much of the film’s atmosphere seems to come from the musical score—the actors almost feel unimportant except during a few fight scenes that seem to imply physical conflict is humanity's answer to every problem. I will say it’s original in its approach, but John Cassavetes didn’t give his characters enough depth for me to connect with them, either positively or negatively; as a result, I simply couldn’t get invested.

Source on TMDB