This darkly comedic story offers a glimpse into the hypocrisies of life in a small Italian town during the 1960s, possessing an energy like that of a volcano. The narrative begins when fifteen-year-old Agnese (played by Stefanie Sandrelli) is seduced by Peppino (Aldo Puglisi), while his fiancée, Matilde (Paola Biggio), and her mother are napping. Soon after, Agnese finds herself pregnant, prompting her furious father, Don Vincenzo (Saro Urzi), to insist that Peppino take responsibility for his actions. Facing disgrace and potential danger, Peppino runs away, but his flight is complicated by the pursuit of Agnese’s brother, Antonio (Lando Buzzanca), who issues a stern warning. Feeling trapped by her father's constant confinement and mistreatment, Agnese rejects confession to the church as an option, instead considering revealing everything to the police and seeking justice through the courts. The film weaves together numerous comedic elements, ranging from outright bawdy humor—apparently involving 15,000 instances of a certain act over a lifetime—to a sharp satire of societal attitudes, conventions, and even a law that could potentially legitimize rape if both parties agreed to marriage. We witness the unfair treatment of a young woman burdened by guilt, lacking genuine support, and struggling with her faith as she’s branded negatively by an institution eager to condemn her. Comedy can be a powerful way to examine unpleasant truths, and Puglisi's portrayal of the lecherous Peppino and Urzi's depiction of the concerned father—who prioritizes family reputation over his daughters’ well-being—are compelling. The idea that he might be left with damaged goods is simply unacceptable. While I personally found the ending somewhat underwhelming given the effort invested in exposing these injustices, the film moves at a brisk pace and features a Carlo Rustichelli score reminiscent of Ennio Morricone, which occasionally elicits amusement as we’re presented with a biting commentary on a mindset that prioritizes avoiding detection or pregnancy above all else. It's humorous, lively, full of ambiguity, and deserving of a couple of hours of your time.

Source on TMDB