Lola Campbell gives a clever performance as Georgie, successfully deceiving social services after her mother’s passing, which allows her to live independently and earn money through an unusual recycling project with her friend Ali Uzun. Their enterprise provides them with the funds they require. Then, one day, a man jumps over their fence and reveals himself to be Georgie's estranged father, Jason. She isn't interested in having anything to do with him, but he is persistent, and during the following hour or so, we observe them slowly understanding what they’ve lost during their years of separation. The film doesn't have a great deal of suspense, but it does possess a strong connection between the characters. Campbell is exceptionally charming, portraying a modern-day street child with both mischievousness and goodness that proves quite captivating. Dickinson also delivers a memorable performance; he moves beyond relying on his appearance and provides an enjoyable portrayal as their relationship develops—and not without some awkward moments. The script presents dialogue that feels authentic, humorous, and considering the relatively small budget, this is definitely worth seeing. I experienced it in a movie theater, but I don’t believe that's essential; watching it on television would be perfectly acceptable.

On September 22, 2026
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