The landscape seems to consist primarily of rocks. We're treated to computer-generated destruction as Dwayne Johnson confronts earthquakes and a massive wave, all in an effort to save his daughter—his separated wife accompanies him along the way. It’s simple to dismiss disaster movies because they often devolve into shallow entertainment with predictable stories and cheesy lines. *San Andreas* is precisely that kind of film. It feels like a reimagining of Roland Emmerich's *2012*, but condensed into a shorter runtime, fitting the scope that *2012* should have encompassed. The movie delivers exactly what the advertising suggested: plenty of crashes, explosions, and impacts. However, similar to Emmerich’s large-scale production, it becomes tedious roughly two-thirds of the way through; the script isn't strong enough to maintain engagement once the spectacle subsides before reaching the concluding sequence. There's a lack of tension, any connection to the characters doesn't develop, and there are no unexpected moments. Fortunately, Johnson is enjoyable to watch and he gets the film across the finish line, making it an entertaining option if you accept it for what it is: uncomplicated popcorn entertainment. It earns a 6/10.

Source on TMDB