It was unexpectedly thought-provoking for a film featuring Stallone. This movie presents an enjoyable and inspiring narrative with some surprisingly profound themes that I wouldn't have anticipated from a superhero story headlined by Stallone. The plot’s unexpected turn was well-executed, although perhaps the buildup went on a little too long; the title itself practically telegraphs it, especially for those familiar with biblical references and the meaning of "Samaritan." Because a “good Samaritan” isn't just someone who is inherently virtuous, but rather an individual initially perceived as negative who ultimately finds redemption—which precisely mirrors Joe’s journey in the film. In that sense, he embodies the Samaritan figure, and Cyrus serves as his ideal foil; they are essentially opposites. As Joe progresses toward goodness, Cyrus descends into negativity. Where Joe works to stop crime, Cyrus actively encourages it. While Joe carries a burden, Cyrus shatters symbols of faith. Joe prefers isolation and avoids attention, whereas Cyrus thrives in crowds, leading them and stirring up excitement—Joe seeks out broken things, whether tangible objects or people, with the intention of repairing them, while Cyrus subscribes to “Ordo ab Chao,” essentially believing that destruction is a necessary precursor to rebuilding. On a more symbolic level, the film incorporates both Christian and occult imagery; however, unlike many Hollywood productions, the occult elements aren’t portrayed as positive. Despite seeming morally complex at times, the movie ultimately has a clear moral compass. Joe may appear like an unconventional hero from a Christian perspective, but he might just be the most overtly Christian protagonist to grace mainstream Hollywood in quite some time.

Source on TMDB