This film is a bit startling, leaving me to consider how the Hays Code might have reacted to such a frank and overtly sensual adaptation of Oscar Wilde’s reimagining of the biblical story of Salome. Alla Nazimova dominates the screen as she pursues the prophet “Jokaanan” (played with surprising stiffness by Nigel De Brulier), whom she views as little more than a devilish figure. Refusing to be rejected, her desires transform into a quest for vengeance, leading her to manipulate Herod, her disreputable step-father—the Tetrarch of Judea and portrayed by Mitchell Lewis. He embodies the familiar archetype of a cowardly libertine; despite being constantly tempted, he’s too afraid to defy religious authority or his constituents who would object to him separating “Jokaanan” from his life. Eventually, she succeeds in extracting a pledge from him, at which point the well-known myth unfolds and the iconic seven veils make their appearance! The production is meticulously staged with technical skill, though it lacks warmth. The acting feels artificial, but this oddly contributes to the film’s sense of decadence. Herod's court is rife with indulgence, and director Charles Bryant uses the cinematography to reveal as much as possible while also playfully stimulating the viewer’s imagination. Some members of the ensemble seem plucked from a "Tarzan" movie, while others appear to have stepped out of Cleopatra’s court—a collection of eunuchs and men sporting short kilts and elaborate wigs. The film occasionally feels slow-moving, but if you surrender yourself to its scandalous nature, it proves to be quite entertaining.

Source on TMDB