Lee Van Cleef leads the cast of Sabata, a film directed by Gianfranco Parolini (also known as Frank Kramer), who co-wrote the script with Renato Izzo. The movie also features William Berger, Ignazio Spalla, Aldo Canti, Franco Ressel and Antonio Gradoli; Marcello Giombini composed the music, and Sadro Mancori was responsible for the Technicope/technicolor cinematography. The story follows Sabata (Cleef), a skilled marksman who joins forces with a traveling musician playing a banjo and a Mexican wanderer to stop the leaders of Daugherty, Texas, from stealing $100,000 from their bank. Their plan is to use the money to purchase land that will be crossed by an approaching railroad. This initial installment in what would become a series of three films centered on Sabata delivers plenty of fast-paced action and entertainment. The character himself is immediately likable; Cleef embodies him perfectly, making you want him on your team. Always dressed impeccably in black clothing, he demonstrates incredible skill, able to shoot someone’s chair out from under them, knock dice off a craps table, and even toss a silver dollar to feed the jukebox. He's self-assured and capable of impressive feats like leaping from buildings and landing gracefully while readying his weapon. As is typical in these kinds of films, financial troubles are always present, driving the motivations of nearly every character involved. The main villain is portrayed as effete but still dangerous and confident, while Banjo, whose instrument also serves as a weapon, has enough layers to keep him consistently engaging. Other supporting characters add to the excitement and boldness, so even though the film lacks significant depth, all the characters are enjoyable, including some impressive acrobats. The audio quality isn’t great, and the movie occasionally flirts with being overly comical, but it manages to avoid becoming a complete parody of the Spaghetti Western genre. The music is upbeat and fits the festive tone, even showcasing instruments like a xylophone (or possibly a glockenspiel), and the Technicolor photography is vibrant and visually appealing. Parolini also uses unusual camera angles to highlight the town’s unsettling atmosphere. Overall, it earns a rating of 7/10.

Source on TMDB