Many consider Laurence Olivier the definitive interpreter of Shakespeare, yet watching this exceptionally assembled version of what I believe to be one of his finest history plays makes it obvious that Ralph Richardson and John Gielgud were just as talented. The superb ensemble also includes Sir Cedric Hardwicke, whose voice is immediately recognizable, Mary Kerridge giving a wonderful portrayal of Queen Elizabeth (Woodville), alongside numerous other skilled British stage performers, creating the foundation for a vibrant and rich presentation of betrayal, desire, and political maneuvering. Occasionally, it feels somewhat stylized, and the fact that most of the filming took place on a set can feel restrictive at times, but Olivier’s direction of himself and the rest of the cast seems much like what Shakespeare himself might have envisioned. The language is presented with clarity and impact, and overt displays of “method” acting are largely avoided as this sweeping story of deceit and double-dealing progresses, bringing the conflicts between the characters and their schemes into sharp focus. It does demand your attention, but I was completely captivated from beginning to end on a large screen, finding it passed by incredibly quickly. I consider this one of the best adaptations of William Shakespeare that exists, and it’s definitely worth seeing.
On September 25, 2026
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