This movie won't appeal if you prefer straightforward storytelling. It presents the story of two close friends in a fragmented way. “Erik” (Espen Klouman Høiner) fits the image of a typical Norwegian—blond, with tousled hair and good looks—while “Phillip” (Anders Danielson Lie) doesn’t quite conform to that ideal. Despite their differences, they are incredibly close and both dream of becoming writers. The narrative jumps between their relationship and other connections; one man experiences a mental health crisis that requires him and his girlfriend “Kari” (Viktoria Winge) to piece things back together, though the reason for this isn’t always apparent. One is published first, seeming more secure, but he finds himself no happier than his friend. Set against a lively Oslo—a city full of friends and seemingly plenty of resources—this realization doesn't so much emerge as fall apart. It can be difficult to determine whether events are happening in the present, future, or past; it’s like a version of “Christmas Carol” where the timeline is completely random. Although “Phillip’s” struggles are evident, they don't define him, instead adding depth and allowing us to observe—and perhaps even understand—a man whose sense of self-worth and purpose occasionally feels uncertain. His habit of counting down from ten creates a feeling of suspense, as if something bad is about to occur when he reaches zero. The two actors give very moving performances portraying their strong but often difficult relationship. I didn’t always fully grasp what was happening—particularly at the conclusion—but it provides an unusual perspective on how these men might move forward in their lives. Thankfully, there's a lack of predictable romance and forced sensitivity. Shot entirely in black and white, it is visually appealing, though you will have to pay close attention. It’s not a film you can watch casually, or it will become even more confusing.

Source on TMDB