It takes specific elements to create a successful gay romantic comedy: an easily identifiable depiction of a same-sex relationship, a palpable feeling of romance, and genuine humor. This film, however, fails on all counts; it’s watered down, moves at a snail's pace, and is ultimately uninspired. I can’t understand why so many critics and viewers have described this lifeless movie as heartwarming, charming, or engaging. The story, which involves a somewhat unbelievable romance between a British prince and the son of an American president—characters who begin as exaggerated rivals before supposedly discovering true love—is presented by writer-director Matthew López in a way that makes their connection feel completely unconvincing. Their courtship is built on a series of unbelievably convenient and discreet arrangements, which seem practically impossible to pull off. Furthermore, the film lacks any real humor, avoiding the kind of sharp wit typically found in gay comedies. It’s so bland and cautious that it makes most Hallmark movies appear daring by comparison. While the movie does offer some mild commentary on LGBTQ+ equality—though it doesn't present anything particularly new—and includes a commendable supporting performance from Sarah Shahi as a quick-witted presidential aide (possibly the only genuinely funny part), it falters in so many other areas that I’m surprised it was ever approved for production. It’s unfortunate that this disappointing film has damaged the progress made by “Bros” (2022) toward establishing gay romantic comedies as a more accepted genre. It's also surprising that Amazon Studios—a company usually known for producing quality work—would release something so mediocre. I hope audiences can move past this quickly and see these problems addressed in future films.

Source on TMDB