The film, taking place in the early 1970s against a rising tide of local unhappiness with their government and its reliance on France, portrays the final days of several people living at a French airbase in Madagascar. The story largely unfolds through the perspective of a young boy named Thomas (Charlie Vauselle), who witnesses his parents, Colette (Nadia Tereszkiewicz) and Roberto (Quim Gutiérrez), grappling with their move and issues within their own relationship. His viewpoint also allows glimpses into the lives of other people in the expatriate community. Bernard (Hugues Delemarlière) finds himself alone when his pregnant wife Odile (Luna Carpiaux) dislikes the location and goes back to France, which then enables him to pursue a connection with Miangaly (Amely Rakotsarimakala), a local woman who is among those growing increasingly resentful of the remaining influence of their former rulers. There’s an underlying sense of unease throughout the movie, but I didn't feel that any of the characters were particularly well-developed. The connection between Thomas and his friend Suzanne (Cathy Pham) – built on a shared fondness for the crime-solving series "Fantômette" – was the only part that felt substantial. Regarding the setting itself, “Red Island,” it’s clear where the story is situated, but the cinematography doesn't capitalize on the location; it could easily be any warm coastal area. The final few minutes offer some insight into changing political events, although I mostly found this to be a rather uninspired look at the failings of people I didn't really connect with. Young Vauselle delivers an enjoyable performance, but beyond that, I wasn’t particularly moved.

Source on TMDB