The film unfolds during the early 1970s, a period marked by growing resentment towards both the government and its reliance on France, and centers around the final days of a French airbase community in Madagascar. The story is largely filtered through the perspective of a young boy named Thomas (Charlie Vauselle), who witnesses his parents, Colette (Nadia Tereszkiewicz) and Robert(o) (Quim Gutiérrez), navigate their upcoming move and address issues within their own relationship. His observations also provide glimpses into the lives of others in the expatriate community. Bernard (Hugues Delemarlière) finds himself alone when his pregnant wife, Odile (Luna Carpiaux), dislikes Madagascar and returns to France, opening him up to a connection with Miangaly (Amely Rakotsarimakala), a local woman who embodies the increasing animosity towards the lingering influence of French colonial rule. While there's an underlying sense of unease throughout, I didn’t feel that any of the characters were particularly well-developed. The bond between Thomas and his friend Suzanne (Cathy Pham), built around their shared enthusiasm for the simple crime series "Fantômette," proved to be the most substantial element. As for the setting itself – the “Red Island” – it felt generic; the photography didn’t capitalize on the location, making it feel like it could have been filmed anywhere with sunshine and a coastline. The final moments offer some insight into shifting political circumstances, but overall I found this to be a rather uninspired look at the failings of people I struggled to connect with. Charlie Vauselle delivers an appealing performance, but beyond that, I wasn't particularly moved.

Source on TMDB