Red Eye proves to be a dependable thriller, successfully creating a sense of mounting dread, notably in its opening section. The deliberate pacing allows for the development of interesting characters, although it seems like Rachel McAdams' character might have realized Cillian Murphy’s disturbing nature earlier on. The middle portion suffers from a slight loss of energy; some sequences feel longer than they need to be. However, Wes Craven’s direction maintains an atmosphere of suspense. The final section is where the film truly accelerates, providing a resolution that feels earned. The writing manages to blend psychological pressure with action elements, even if certain instances demand overlooking—particularly conversations on the plane that seemingly go unnoticed by other travelers. The visuals are functional and get the job done, employing close-ups to amplify the confined feeling of the environment. Cillian Murphy delivers a chilling, restrained performance, while McAdams holds the film together with a convincing portrayal. The minor characters don’t offer much substance, and there are moments where the movie shifts focus to details that ultimately prove unimportant. The music supports the suspense but isn't particularly striking. Although it doesn’t break new ground, Red Eye is an enjoyable, skillfully made thriller that functions best when emphasizing its psychological aspects over action sequences.

Source on TMDB