Vincent Colombe portrays “Vincent,” an ordinary man who feels dissatisfied with his physical form. He learns about a microchip that offers the possibility of reshaping one's body by manipulating perceptions—both personal and shared with others who have undergone the procedure. However, this transformation lasts only twelve hours daily before reverting to the original state. Vincent decides to proceed with the surgery, emerging as his ideal self, portrayed by Aurélien Muller. This concept proves appealing, and several of his friends choose to undergo the same process. A central question arises: when should these altered appearances be utilized—during work or leisure? The twelve-hour duration feels frustratingly brief, prompting a thought about someone potentially unlocking the chip for continuous use. The film presents an exploration of vanity's influence on relationships, attitudes, self-esteem, and judgments, while also offering a disheartening commentary on our tendency to rely on technology as a quick fix for personal issues without considering potential repercussions. It’s striking that the manufactured images people create are consistently conventional, beautiful, tanned, and alluring—potentially leading to a homogenized appearance. The beauty industry's profound impact on shaping our notions of attractiveness is evident. As with most things, if something appears too perfect, it likely has drawbacks, but what will be Vincent’s ultimate fate?

Source on TMDB