Simon Wincer directed and John Hill wrote Quigley Down Under, a film starring Tom Selleck, Laura San Giacomo, and Alan Rickman. Basil Poledouris composed the music, and David Eggby was in charge of cinematography. The story follows Matthew Quigley, played by Selleck, a Wyoming cowboy and skilled marksman who takes a job as a hired gun in Western Australia. After demonstrating his abilities, he’s meant to work for Elliot Marston (Rickman), but their goals quickly put them on a collision course where only one will survive. The script was originally penned in the 1970s with Steve McQueen considered for the lead role, though that didn't happen due to illness and Clint Eastwood reportedly declining. The project remained undeveloped until 1990 when Selleck joined the cast and filming finally commenced. While it barely earned back its production costs at the box office, Wincer’s film deserved a much better reception. It faced competition in 1990 from films like Costner's Dances With Wolves and Young Guns II, which were very different kinds of movies, and I wonder if those releases affected how audiences responded to Quigley Down Under. Perhaps the public just wasn't ready for such a traditional Western with its straightforward narrative at that time. Anyone looking for complex psychological explorations won’t find them here. The film does address serious issues like the tragic treatment of Aborigines, and even as a British person, I found the criticism of the British to be fair enough. However, it primarily delivers classic Western tropes; it might be as predictable as a horse relieving itself wherever it pleases, but it's entertaining, moves along at a good pace, is visually stunning, and never drags. Wincer (Lonesome Dove) directs confidently, and the three main actors are all excellent. Selleck portrays a strong character with principles and a touch of humor, Rickman embodies villainy perfectly in his dark attire and arrogant demeanor, and Giacomo is charming as a spirited companion to Selleck who also carries some emotional weight. There's considerable disagreement among fans and critics regarding Basil Poledouris’ (Conan the Barbarian) score. While I agree that it sometimes feels overly dramatic, it suits the film's tone. It evokes a sense of adventure reminiscent of The Magnificent Seven. This works well alongside Eggby's beautiful cinematography of the Western Australian landscapes. Eggby (Mad Max/The Man From Snowy River) makes great use of the widescreen format to showcase gorgeous scenery, and the browns and yellows are very pleasing to look at. The costumes and sets accurately reflect the period, and Quigley’s Sharps Rifle is an impressive weapon. While the simple plot prevents it from achieving true classic status, there's so much to appreciate about this film and it’s highly enjoyable to watch again, making Quigley Down Under (which isn't even a great title) essential viewing for fans of traditional Westerns. 8.5/10

Source on TMDB