A film attempting to portray the life of a well-known person is usually most effective when it offers a full understanding of who that individual was. That isn’t quite what happens with this movie about Elvis Presley's spouse, as audiences are presented with a story that feels incomplete. Sofia Coppola’s newest work centers on the time Priscilla Presley (Cailee Spaeny) spent alongside Elvis (Jacob Elordi). Their relationship begins genuinely and lovingly but is ultimately damaged by issues involving substance abuse, weapons, infidelity, long periods apart, and controlling behavior—most of which originated with Elvis—and these difficulties eventually result in their parting. The film occasionally focuses more on him than her. Disappointingly, this narrative approach neglects many important achievements Priscilla had both personally and professionally, a remarkable story that is entirely (and strangely) ignored. As a result, viewers mainly see a depiction of a largely passive character who rarely challenges anything until she ultimately finds the strength to leave (it’s unclear where that characteristic came from), without any mention of what she went on to accomplish afterward. Furthermore, several storylines feel unfinished or lacking depth, leaving viewers wondering about their ultimate resolution. Despite these shortcomings, “Priscilla” is, in many ways, among Coppola's strongest work as a director, which is noticeable in the visuals and editing, along with Elordi’s nuanced representation of Elvis. However, like some of her previous films, this one could still benefit from improvements to the writing, character development, and overall narrative construction. The partner of a legendary figure deserved more thorough consideration.

Source on TMDB