Prime Cut comes from director Michael Ritchie and writer Robert Dillon, featuring Lee Marvin, Gene Hackman, Sissy Spacek, Angel Tompkins, Gregory Walcott, and Janit Baldwin. Lalo Schifrin handled the music, with cinematography by Gene Polito. The story centers on a ruthless Kansas City slaughterhouse owner (Hackman) and his family embroiled in a violent conflict with a Chicago crime syndicate concerning profits from their shared illegal business. When things escalate, the syndicate dispatches top enforcer Nick Devlin (Marvin) to restore order. 1972 proved to be a complicated year for Lee Marvin; he’d appeared in "Pocket Money" alongside Paul Newman, which was poorly received and unsuccessful. Following that came “Prime Cut,” an unusual film with such inconsistent tones that it continues to spark debate among Marvin's fans. However, over the years, opinions have shifted considerably—it isn’t a forgotten treasure exactly, but rather a genuine cult classic. If you can accept its quirks and overlook elements of misogyny, there are some worthwhile aspects to discover. Filming wasn’t straightforward; Marvin reportedly disliked director Ritchie and resisted pushing the character development between his role and Spacek's (in her first film appearance, where she is excellent) too far. The final cut, what made it past the censors, presents a strange mix of sleaze and irreverence. The contrast between the energy of Chicago and the rural atmosphere of Kansas creates something like a struggle for America’s identity. Who better than Marvin and Hackman to represent these opposing sides of Americana? The film's violence is impactful, as is the storyline involving sex trafficking, all set against the seemingly peaceful backdrop of rural life. Marvin delivers an outstanding performance, embodying machismo and creating a protagonist it’s easy to root for. I can’t wholeheartedly recommend this movie, but I am glad to be among those who consider it excellent. 8/10

Source on TMDB