The arrival of Father Greg (Linus Roache) at his new parish marks an intention to care for his parishioners' spiritual lives in a more conventional way, contrasting with Father Matthew’s (Tom Wilkinson) more relaxed and open-minded style—particularly evident in his interactions with their housekeeper, Maria (Cathy Tyson). A clear initial disagreement develops between the two priests, but over time, a sense of shared regard emerges that could be beneficial to the newcomer, as his wardrobe choices unexpectedly lead him down an unconventional path. An encounter with Graham (Robert Carlyle) pushes his established beliefs and priorities, and subsequent police involvement results in a confrontation involving himself, his church, and its members. Roache performs adequately; however, Wilkinson is more compelling as a man who adopted a practical perspective on teachings that hadn’t kept pace with the times, addressing issues of hypocrisy, inconsistencies, and lack of experience. A disquieting secondary storyline provides insight into the difficulties inherent in being a confessor—a point effectively portrayed by Robert Pugh, Lesley Sharp, and Christine Tremarco's moving performance—leading to an ending that prompts reflection within a 1990s setting where acceptance was often at odds with legal requirements, and qualities such as forgiveness, empathy, and comprehension were frequently lacking. The writing is economical, although there are moments when the sharp dialogue challenges perspectives throughout the community. While it may linger a bit too long in its initial stages, this film provokes some uncomfortable questions, which is ultimately a positive attribute.

Source on TMDB