The topic of police authority has become a significant point of contention in society today, with opinions sharply divided depending on who you ask. Writer-director Yance Ford's newest work adds considerably to this debate with a cinematic essay that presents a strong perspective on the matter; some viewers will likely find it convincing, while others are sure to dismiss it as an overtly progressive argument pushed by an agenda. Through interviews featuring academics and people working within the criminal justice system, the film illustrates the complexities surrounding this issue. While acknowledging the necessity of policing in response to violent crime, it also suggests that the increased police presence and expanded legal power intended to deter crime are actually contributing to its escalation—a reality that has long been overlooked or intentionally disregarded due to deeply ingrained societal biases which have only worsened the problem. The film examines how these conditions developed over time as a means of restricting the freedoms of individuals perceived as a threat to the established social order, an order maintained by those in positions of power (essentially, anyone who didn’t fit the demographic profile of that elite group). Historical footage reveals how early police forces were used to control enslaved people, Native Americans, immigrants, and labor organizers—all considered suspicious simply because of their identities. From these questionable beginnings, the authority of law enforcement has grown significantly, increasingly employed to suppress those deemed a threat to the status quo, including student activists, political dissenters, and others outside mainstream society, facilitated by methods more akin to military operations than the civilized maintenance of order expected in a mature democracy. The film does present compelling reasons for its position, and it’s fair to say that voices from within the system who are genuinely trying to bring about change are also included. However, “Power” sometimes feels repetitive in its arguments, reiterating its valid points without offering any solutions to a situation that seems to be spiraling out of control—a real chance to meaningfully address the problem was missed. Perhaps that’s what should come next, with this film mainly serving to highlight and increase awareness of the issue; however, I believe the general public is already well aware of the problem, and this release could have gone further in exploring its subject matter. While continued recognition of the problem is a valuable outcome from this production, it's disappointing that it didn’t attempt to build on that idea and provide us with more—particularly answers and hope for what comes next.
On September 25, 2026
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