This third installment in the “Police Academy” franchise, which enjoyed considerable popularity during the eighties and nineties, feels familiar but still enjoyable. It's certainly dated material, yet these films remain surprisingly memorable and are frequently broadcast on television here in Portugal. The humor remains quite strong, and it holds its own alongside the earlier movies without much difficulty. The storyline continues to be a weakness for these films, but it provides enough of a framework to support an hour and a half of various gags and some action sequences. With budget cuts looming, the city decides to close one of the police training academies—the familiar academy led by Commander Lassard—and replace it with a rival institution overseen by Commander Mauser. When things become complicated, Lassard enlists the help of Mahoney, Jones, Hightower, and other officers already known to audiences, believing they’re best suited for the task. Like the previous films, the cast and crew are largely unchanged. Jerry Paris returns as director and maintains a good sense of continuity throughout the production. Most of the original actors appear again, delivering what's expected without any significant surprises. Steve Guttenberg portrays Mahoney with a newfound maturity and sense of responsibility. Michael Winslow is given more opportunities to display his vocal talents, and Bob Goldthwait also receives better material and greater focus; alongside Tim Kazurinsky, he proves to be among the funniest cadets at the academy—the two actors work exceptionally well together. Art Metrano does a commendable job, bringing a touch of sophisticated cynicism to his character, making him an ideal target for others’ pranks. Leslie Easterbrook also has more screen time and delivers one of her most compelling performances. David Graf, Bubba Smith, and Marion Ramsey continue in their established roles. The film maintains the production quality seen in previous installments. The filming locations and costumes are well done, and the special effects are good; the action sequences have been given extra attention and work effectively, particularly toward the end. The editing is solid, and the fast pace doesn’t become exhausting, although it occasionally feels like a series of jokes, both visual and verbal, strung together rather than a cohesive comedy film.

Source on TMDB