Walker, you’re a terrible person, truly destructive! Point Blank comes from director John Boorman and features a screenplay adapted by Alexander Jacobs, David Newhouse and Rafe Newhouse from Richard Stark's novel The Hunter. It includes performances by Lee Marvin, Angie Dickinson, Keenan Wynn, Carroll O'Connor, Lloyd Bochner and Michael Strong. Johnny Mandel handled the music, while Philip H. Lathrop’s Panavision cinematography (in Metrocolor) is a standout feature. After being double-crossed by his wife and a friend during a robbery, Walker (Marvin) finds himself near death on a cold cell floor at an abandoned Alcatraz... It's a clear example of neo-noir, a film that some might say was ahead of its time, not gaining a devoted following until years later. Nevertheless, it stands as a key work for the second wave of noir films, a bright example in this new style, trying out different approaches while retaining the core elements of classic film noir. The narrative is sharply written, packed with betrayals and deceptions, dangerous women, vengeance, death, and ruin. It even contains an element of surprise—ambiguity. The action unfolds against a vividly colored Los Angeles backdrop; the photography is striking as Mandel provides a mournful and unsettling musical score throughout the story’s progression. Boorman makes excellent use of time, rearranging different parts of the plot with sequences that initially seem misplaced but ultimately fit perfectly within the narrative, clearly enjoying himself by messing with what viewers expect. The camera angles are also skewed and close-ups exaggerated to enhance the film's style. Then there’s Walker, a focused and almost ghostly character, portrayed with both skill and menace by Marvin—who could be better suited to navigate the Los Angeles underworld? He only wants what he was promised from the robbery, nothing more, but if that small payment isn’t received, people will suffer losses far greater than money. His quest is at once admirable and heartbreaking, as Boorman encourages audiences to consider what it all ultimately signifies. Marvin receives strong support from a cast delivering slyness, corruption, and suspicion. The deliberate speed of the film might not appeal to everyone, nor will stylized violence or flashy directing techniques; however, for those who appreciate such things, Point Blank—and Walker himself—are worth experiencing. 9/10

Source on TMDB