There are films with compelling narratives, movies elevated by talented actors, and those distinguished by skilled directors. However, this film delivers something different: an important message that Indian society urgently needs to consider, accept, and put into practice. Events occur and then disappear from memory; people speak and fall silent; mass movements are organized only to eventually fade away. Yet, our fundamental beliefs haven’t truly shifted. We still evaluate a woman's character based on her clothing choices, her comfort level with others, when she leaves and returns home, whether or not she drinks alcohol—and the list goes on. *PINK* attempts to convey precisely the point that any reasonable society would acknowledge: we cannot apply different standards to judge individuals. One gender shouldn’t be held accountable by a specific set of rules that don't apply to another. It isn't even about gender; judging anyone’s character is a fault we all share, because none of us can accurately measure ourselves using the same criteria and emerge pure and at peace. When assessing this film, it shouldn't be based on its plot, direction, editing, cinematography, or acting—all of which were admirable in their own right and served to communicate the message intended for the audience. Instead, the focus should be on the fact that our society struggles with the habit of judging women’s character and subsequently treating them according to those judgments. The moment Rajveer's character states that everyone present in the courtroom would feel similarly about women like those portrayed is indicative of the mindset prevalent among a significant portion of our population. Amitabh Bachchan’s portrayal, particularly his expressions at the end, embodies the disheartening reality of our country when we are compelled to create guidelines for women's safety. The points mentioned by Deepak Sehgal that should be included in such guidelines are harsh but truthful. I could elaborate further on the significance and gravity of the message the director sought to convey, but it would be pointless if we simply dismissed it as another worthwhile film making a good point. We need to change how we raise our boys, instilling in them respect for women's dignity and an understanding of the power, completeness, and finality of the word NO. I sincerely hope to witness this transformation within my lifetime—a time when films like *PINK* are no longer needed to make us realize that the way we sometimes treat women in our supposedly modern society is inhumane. Moving away from the serious tone, it’s worth noting that the performances by all of the actors—Amitabh Bachchan, Tapsee Pannu, and the other actresses, Kirti and Andrea—were exactly what was needed, nothing more or less. They were convincing, and you could sense their vulnerability. The direction by Aniruddha Roy Chaudhary was also quite good. Ultimately, this film transcends the typical categories of "good," "bad," or "average" Bollywood movies. It felt like a message intended to be considered and acted upon, delivered by Shoojit Sircar.

Source on TMDB