Martin LaSalle delivers a noteworthy performance as Michel, a petty thief struggling to survive, constantly wearing the same suit and residing in a sparsely furnished room where even the lock is missing from the door. He shares his time with his friend Jacques (Pierre Leymarie), both of whom are drawn to Jeanne (Marika Green), who lives nearby his mother, Dolly Scal, whose health is failing. The film doesn't offer much overt action; it’s more of an observational look at this man’s daily existence presented by Robert Bresson. We gain some insight into the skills he employs in his profession and the methods used by law enforcement—particularly the clever Inspecteur (Jean Pélégri), with whom Michel engages in a game of pursuit throughout this 75-minute drama, attempting to evade capture. It’s generally pleasant viewing, though somewhat straightforward; the cinematography creates a closeness that draws you into the situations more directly. You feel like an unnoticed observer, gaining some understanding of what motivates this rather melancholy and unfulfilled man who seems willing to take chances just to obtain basic necessities, almost as if he welcomes being found, given his life appears lacking in direction. There doesn't seem to be a significant thrill involved when he commits minor thefts or manages to escape detection! The dialogue is minimal, the music restrained; we’re left to piece together this episodic film through detailed visuals and our own thoughts—and that approach proves quite effective. It serves as a good illustration of how simplicity can be powerful, making it a worthwhile experience.

Source on TMDB