Germany lay in devastation after the war, and "Nelly" (Nina Hoss) finds herself back in Berlin, a city transformed so much that it feels foreign to her, especially given how different everyone perceives her due to her facial reconstruction. Lacking funds, she's taken in by the generous "Mrs. Winter" (Nina Kunzendorf) and her housekeeper, "Elizabeth" (Imogen Kogge). While revisiting places familiar from before the war, she runs into "Johnny" (Ronald Zehrfeld). He doesn’t recognize his former wife, but he oddly suggests to this woman that she bears a resemblance to her and proposes she could earn $20,000 by pretending to be his wife in order to help him secure what is rightfully his. Initially reluctant about the idea, she soon sees it as an opportunity to uncover some answers regarding her own arrest and imprisonment, as well as learn more about Johnny’s involvement. Meanwhile, "Mrs. Winter" has been investigating matters herself and, after providing “Nelly” with a vital piece of information, leaves her in a difficult emotional state. Nina Hoss consistently relies on physical expression and gestures in her performances, and even while covered in bandages, she effectively communicates vulnerability that gradually develops into assurance. Ronald Zehrfeld is also compelling; despite the questionable nature of his offer and some other less than admirable aspects of his character, I found it hard to dislike him as much as I probably should have. The ending felt somewhat unresolved, but perhaps that’s appropriate since a sense of understanding—and a gradual realization—seems more suitable.

Source on TMDB