This film, a collaboration between Japan and Germany, comes from director Wim Wenders (known for Texas Paris and Wings of Desire), with the screenplay written by himself and Takuma Takashi. It received recognition at the Cannes Film Festival in 2023, taking home awards for Best Actor and the Ecumenical Jury, and is also up for Academy Award consideration in the Best International Feature Film category—a choice I personally favor. The story follows a few days in the life of a public restroom cleaner in Tokyo, portrayed by Koji Yakusho as Hirayama. The film explores his daily routine and four specific incidents that occur during it, while also highlighting how some people regard these often-overlooked workers, even within a seemingly advanced society like Japan. Hirayama leads a straightforward but fulfilling existence, approaching his work with dedication—and the movie is a wonderful exploration of contemplation, demonstrating how simple moments and occurrences can bring happiness to life if you’re open to them. The cinematography, by Franz Lustig (Anselm), is striking in its use of natural light and daily changes, particularly in scenes featuring the main character. Given its deliberate, understated narrative centered on this philosophy and camera work that also draws attention to the architecture of public restrooms, it might not appeal to all viewers. I would rate it a 9.6 out of 10, or an A+.

Source on TMDB