The character “Matthias” (Albrecht Schuch), easily recognizable by his mustache, has a unique profession: he's rented out to do practically anything someone needs. It isn't about romantic encounters; instead, he fills various roles—a companion at an upscale performance, a same-sex partner, even posing as the son of a man hoping to become president of his golf club—and he performs these tasks with considerable skill. However, things aren’t going well at home, where he and his girlfriend “Sophia” (Julia Franz Richter) are experiencing difficulties. She's tired of their predictable, impersonal existence and feels that he is increasingly consumed by his work. When she leaves, he finds himself confronting a significant personal crisis that forces him to reconsider everything. Complicating matters further is the angry ex-husband of one of his previous clients, “Johann” (Branko Samarovski), who’s determined to seek revenge—and wields an umbrella with surprising force! A getaway in the countryside seems like it might offer some relief. There, he encounters “Ina” (Theresa Frostad Eggesbø) from a prior assignment, and she approaches relaxation with the same methodical approach as he does (and likely as many viewers do). Ultimately, his carefully structured life has been thrown into disarray, and as his most important task approaches, it seems like “Matthias” might be facing a decisive challenge. Some of the conversations are genuinely humorous, mocking pretentiousness, foolishness, and much of society's other snobbish and absurd behaviors. Schuch maintains a serious demeanor throughout, which is quite an accomplishment, especially during the film’s final moments. It’s a well-executed parody of various cinematic styles as well as human behavior, and even the segment involving dogs resonated with me, despite my lack of enthusiasm for them! Overall, it's an enjoyable experience.
On September 23, 2026
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