The character “Matthias” (Albrecht Schuch), distinguished by his mustache, has an unusual job: he's rented out to do practically anything someone needs. It isn’t a matter of sexual services, but rather companionship or assistance—and he excels at it. He can convincingly portray a concert companion, a romantic partner, even a dutiful son helping his “father” campaign for the presidency of a golf club, handling most situations with skill. However, things aren't going well at home, where he and his girlfriend “Sophia” (Julia Franz Richter) are experiencing difficulties. She’s tired of their predictable, sterile existence and feels he is increasingly consumed by his work. After she leaves him, he finds himself confronting a significant personal crisis that forces him to reconsider everything. Complicating matters further is the angry husband of one of Matthias's previous "assignments," “Johann” (Branko Samarovski), who’s determined to seek revenge and isn't afraid to use an umbrella as a weapon! A trip to the countryside seems like it might offer some respite. There, he reconnects with “Ina” (Theresa Frostad Eggesbø) whom he previously encountered on a job, and she shares his approach to relaxing in a garden setting. Ultimately, though, his carefully structured life has been thrown into disarray, and as his most significant task approaches, it seems like “Matthias” might be facing a decisive challenge. Some of the film's lines are genuinely amusing, as the situations satirize arrogance, foolishness, and many aspects of society’s pretentious and absurd attitudes. Schuch maintains a serious demeanor throughout much of the story, which—particularly during the film’s final moments—is quite an accomplishment. It functions effectively as a parody of various movie genres, as well as a commentary on human behavior; even the segment involving dogs resonated with me, and I'm not typically fond of them! Overall, it provides enjoyable entertainment.
On September 23, 2026
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