This picture feels hugely inflated in importance, burdened by scenes that feel manufactured and drawn out, resulting in an excessive runtime. The depiction of Oppenheimer falls into predictable tropes, suggesting he’s the most brilliant person alive through implausible feats like mastering a language in just six weeks, while complex mathematical formulas are displayed on a chalkboard with an intrusive musical score. I'd place this as Christopher Nolan’s second-least impressive work so far, after *Tenet*. It highlights all of his weaknesses, and the film’s length—which really shouldn't have gone beyond 1 hour and 40 minutes—is stretched to a full three hours without good reason.
On September 24, 2026
#80▼ 3
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