There’s an undeniable sweetness to the story at its heart, though that feeling gets lost in what becomes a fairly ordinary and sentimental drama. The film begins on New Year’s Day morning in Glasgow; "Elena" (Laia Costa) is searching for transportation after leaving a party. She finds a taxi already occupied by "Jake" (Josh O'Connor), who offers her a ride despite her initial discourtesy. A connection sparks between them, fueled partly by Elvis Costello music, and they quickly experience moments of happiness – both seasonal and physical. They decide to have a child to complete their family, but even attempting to navigate what feels like an instructional guide to intimacy proves unsuccessful. A visit to the doctor reveals some difficult realities, including Elena’s age in her mid-30s and the potential challenges of conception. What was once playful becomes more routine as the story shifts toward its central theme: the pressures on a relationship caused by IVF treatment. Outbursts arise as both partners grapple with irritation and disappointment. Their earlier fondness is tested by obstacles that highlight the nearly decade difference in their ages. Anyone familiar with individuals who have undergone fertility treatments understands how emotionally taxing it can be, given the uncertainty of success, placing these characters in a position to solicit sympathy from viewers. However, the narrative quickly descends into predictable pitfalls. The arguments seem manufactured, less about hormonal frustrations and more stemming from a director who appeared uncertain of their own direction. The performances are acceptable, and the film does offer a glimpse into the intensity and unpredictability of such an intimate experience, but it ultimately feels scattered as it progresses. It’s passable viewing, though somewhat underwhelming.

Source on TMDB