Ralph Fiennes takes on the role of a man who resembles Pushkin’s “Onegin,” a person lacking purpose and prone to infidelity, recently come into possession of an expansive estate. Upon his arrival at this impressive property, he encounters his neighbor, "Lensky" (Toby Stephens), and is introduced to "Tatiana" (Liv Tyler). She quickly becomes quite taken with him, but he doesn’t seem to return her feelings. His personality appears unable to engage in profound thought or experience genuine emotion, seemingly trapped by the superficiality of his privileged life. Essentially, this encapsulates the essence of what feels like a visually appealing but ultimately lifeless drama. The film draws from Pushkin's insightful poem and certainly possesses an opulent and grand cinematic quality; however, the characters are surprisingly underdeveloped and lack depth, and the storyline meanders somewhat, as if performing a lively polka. There were moments when it felt like observing something distant through a barrier, lacking any real substance—almost like a fairy tale. The film offers a brief look at the near-feudal system that existed in Czar Alexander’s vast and varied Russia, where countless people lived in simple dwellings while brightly colored palaces provided a vastly different existence for the wealthy elite; it was nice to see Irene Worth ("Princess Alina") make appearances, but I remained just as detached from these characters by the film's conclusion as "Onegin" was at its beginning. The whole thing feels rather cold and distant.

Source on TMDB