The musical boasts wonderful songs, lyrics, and dancing, but it feels strangely lifeless. Because theatrical productions require precise arrangements, it’s puzzling why this version is so rigidly choreographed—film allows for much more freedom of movement. The energy, particularly in the lively dance numbers, is almost entirely absent compared to what audiences experienced on screen. What remains is pleasant and bright, yet ultimately lacks a certain quality. It often seems like the performers are still focused on that central seat in the Royal Circle, with the background players subtly stepping aside and murmuring to one another. Gordon MacRae appears overly polished, while Gloria Grahame doesn't quite capture the charm of Doris Day’s portrayal in "Calamity Jane" from two years prior. Charlotte Greenwood is excellent as the knowing “Aunt Eller,” and Eddie Albert shines as the unusually named “Ali Hakim”; Rod Steiger also manages to portray the unhappy “Jud Fry” convincingly. However, the overall production doesn't live up to its individual components—which is disappointing considering it includes classics like "Oh, What a Beautiful Morning," "Surrey with a Fringe on Top," "I’m Just a Girl Who Can’t Say No,” and the title song.

Source on TMDB